In the blink of an eye book walter murch. In the Blink of an Eye (book) 2019-01-20

In the blink of an eye book walter murch Rating: 5,1/10 323 reviews

IN THE BLINK OF AN EYE

in the blink of an eye book walter murch

However, once the number gets much larger than two shots-and a director might shoot twenty-five shots for an average scene-the number of possible combinations quickly becomes astronomical. At any rate, it seems to be more important for a chimp to be born with a hard head than a big brain. A bad actor can often be spotted by the strange rhythmn of their blinking - it doesn't seem to be matching the emotional landscape of the story. Patrons can always get hold off me through the private Discord channel and I hold monthly Skype calls with higher-tier patrons. Still, it's converted pretty directly from a lecture he delivered, which keeps the material a little close to the surf While this is more geared towards the editing concerns for larger productions with multi-month editing cycle, Murch has many insights into the basic practicalities of editing.

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Book Review: In the Blink of an Eye by Walter Murch (2nd Ed.)

in the blink of an eye book walter murch

I would not have the confidence to be an editor without this book. There are people who have the power of informative knowledge, and people who have the power of stimulating your brain cells to reach far beyond knowledge, Walter Murch just happened to have both. He refers to a spectrum of subjects you wouldn't normally associate with film, as well as his career experience of working with some of the most talented filmmakers around - George Lucas, Francis Coppola, Anthony Minghella to name a few - to enliven what could easily become rather abstract or dry subject matter. Murch's strength is in seeing the bigger picture. Standing, physical connections to the machines, the change in the machines and the experiences of using them in the advent of the digital age. This has always been the case, no matter what editing system is used: manual, mechanical, or electronic.

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Book Review: In the Blink of an Eye by Walter Murch (2nd Ed.)

in the blink of an eye book walter murch

So if you ask a digital machine to go ten times faster than normal, it will do so by showing you only one frame out of every ten. By that same token, someone who bore a glacier within them might urge passionate abandon. Much of the book references experiences Murch had editing , , and. You can help Wikipedia by. This book is really helpful in understanding the history and culture around video editing. The last few chapters about blinking hence the title were especially enthralling.


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In the Blink of An Eye: A Perspective on Film Editing: Walter Murch: keplarllp.com: Books

in the blink of an eye book walter murch

I'm not sure I've met any editors who follow this advice, but then again I'm not working on feature films. Eisenstein's theoretic lessons aside this is probabily the most resourceful book on how to edit a movie. I liked hearing about the manual film editing machines- the stand-up machine with foot pedals and wheels sounds nice, it would be interesting to have a work station for computer based work that could be operated with both hands and feet for various purposes. In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might seem to be the most basic editing question - Why do cuts work? My boss recommended that I read this and I finally did. My dad found this book stashed away from back when he had to read it in college and said I might find it interesting. Humans must use our hands and our senses to interact with the art we create first, then do the cleaning and digital stuff afterward.

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In the Blink of an Eye

in the blink of an eye book walter murch

. Quizás suene un poco raro pero mientras vas leyendo comprendes lo lógico que es y realmente funciona. I'm no professional but I do enjoy the subject of video editing. In large part this book documents the technical aspects of editing. Likewise, we do this with scary movies as well: it's only a movie. He references his work on Apocalypse Now greatly during the first few chapters, with contrasts that display just how much footage was shot: he was presented with 1,250,000 feet of printed film for editing just over 230 hours , and he calculated that at 2 hours 25 minutes the film had a 95:1 cut ratio. It's not too technical a book, and does have an expansive section on digital film editing now that that's the primary method , but even details regarding equipment and techniques that are no longer in vogue can teach you a lot.

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In the Blink of An Eye : Walter Murch : 9781879505629

in the blink of an eye book walter murch

There is tremendous power in cutting on blinks--and Murch points that we blink when we change the direction of where we are looking, which is similar to a cut in video editing. This book is great for giving you a very basic history of film editing, and some real-world examples of difficulties in editing movies, the different types of technology in use, etc. In particular, Murch uses his experience editing to explore the digital side of editing. Murch emphasizes order as being incredibly important to outcomes in a way that seems reminiscent of the theory of constraints body of work. We don't want your personal information and we don't sell any that we happen to get like email addresses. The bite-sized chapters mirror the author's thesis about the human brain gathering a thought, blinking, and then moving on to a new idea.

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In the Blink of an Eye by Walter Murch

in the blink of an eye book walter murch

The reason being that classical style, the leading editing style of the golden age, depended on clean continuity and clarity of space. You support the channel and in return I give you my personal attention. I think a lot of editors run into this issue from time to time. Lo recomiendo si: -Te gusta la edición. And that's one of the reason why cuts work.

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Book review: Walter Murch's In The Blink Of An Eye

in the blink of an eye book walter murch

Also Murch suggests that editing be done while standing up. I liked hearing about the manual film editing machines- the stand-up machine with foot pedals and wheels sounds nice, it would be interesting to have a work station for computer based work that could be operated with both hands and feet for various purposes. Blinks and fast eye motion if you move your eyes from one object to another and don't focus on anything between as you do it it is perceptually equivalent to a hard cut from a view of the first thing to a view of the second are nice explanations. The book itself is taking the structure of a perfect-edited movie with a point of attack striking you from chapter 1 increasing gradually till it plateaus with a startling climax point, then takes you slowly to a conclusion that leaves you with a touch of enlightenment. The old film editing machines are also praised for their ability to play back film at high speed without r Very short- more detailed stories from experiences on any or all of the movies Murch edited would have been nice to extend the length. Some of the techniques listed in In the Blink of an Eye: A Perspective on Film Editing may require a sound knowledge of Hypnosis, users are advised to either leave those sections or must have a basic understanding of the subject before practicing them. As filmmakers, we value an independent voice.

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Book review: Walter Murch's In The Blink Of An Eye

in the blink of an eye book walter murch

In the Blink of an Eye by Walter Murch 2nd Edition, 2001 Walter Murch is not only regarded as one of the great practitioners of the art of motion picture editing, he is also regarded as one of the great theorists. If a scene is photographed with only two shots - one each from two different camera positions A and B, let's say -you can choose one or the other or a combination of both. If that description does not make your cinematic mouth water, this book may not be for you but for my money it's a great tool of the trade. Built around the concept that the blink is related to acting and editing. The longer the take, the greater the chance of a mistake.


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