Unlike the slim and lighter-skinned fantasy of herself on the Johnny Carson Show, Mama has darker skin and is big boned, wearing overalls rather than feminine clothing. Maggie still bears the scars of that fateful night. History and heritage play a key role in the development and conclusion of this rather intriguing story. Dee suddenly becomes fixated on some quilts that were put together by Grandma Dee, Big Dee, and Mama - despite earlier rejecting them as disgustingly quaint signifiers of her rural youth. Mama refuses to give the quilt to Dee since this will end family traditions. Maggie lurks in the shadows not wanting to be fully visible.
However, presumably the greatest struggle was that of colored' people. Hakim-a-barber greets and tries to hug Maggie, who recoils. She loves her family very much, but is ashamed of the surroundings she grew up in. The quilts contain small pieces of garments worn by relatives all the way back to the Civil War. In her daydream, she and Dee hug, with tears in their eyes. When Dee arrives home, she has brought a man with her. This story… 1315 Words 6 Pages which one is then to perceive the culture a specific way.
Reading Literature and writing argument, 3 ed. Her education does not help her to liberate her family from racism. Dee talks about the benches that the family sits on that her father had made and how you could feel the rump prints in the seats. Education has made her consider Mama and Maggie as inferior. The way Dee handles herself is enough to shed more light on her perception about culture and heritage.
I know even before I wake up. The story begins with the narrator hanging out in her yard, waiting for her daughter Dee who's coming to visit. On the other hand, Maggie and Mama have an alternative view of heritage. Her hair stands up straight on top and is bordered by two long pigtails that hang down in back. The first character we are introduced to in the story is the mother. The opening of the story is largely involved in characterizing Mrs.
A point that we can easily notice as the story is developed is that Maggie is extremely jealous of her sister. This time, however, Dee uses it specifically to leave Mama out. Mama describes herself as a big-boned woman with hands that are rough from years of physical labor. Mama thinks hard, looking at Maggie, taking in her snuff-filled lip, her burn-scarred hands hidden in the folds of her too-big clothes, her sad resignation that she will not be able to keep the quilts, and her lack of anger at Dee. In this regard, they understand the reality and significance of heritage. She introduces her two daughters, Dee and Maggie. Mama does the work of two men on her farm.
Mama goes on to describe the yard, saying it is like a living room, with the ground swept clean like a floor. Walker correspondingly compares inheritance to art, something which should be used daily and passed on to future generations. . Although the story focuses on a symbolic piece of art it also involves the way in which an individual understands his present life in relation to the traditions of his people and culture. This is another example of how Mama puts Dee on an unneeded pedestal. However both Dee and her boyfriend are a different generation to Mrs Johnson and Maggie.
Summary The story begins with waiting in the yard for her eldest daughter to return. During the Climax, Mama realizes that she has often neglected her other child, Maggie, by always giving Dee what she wants. There are the requisite tears and sighs from the audience. In this present world, most households are still interested in knowing the background they came from. Irony has been utilized in the story to enhance understanding of the text. The house fire Mama describes clearly traumatized the family, and she repeatedly refers back to the fire throughout the story.
But Mama and Maggie are far from the feeling of devastation, loss, or hatred. Though it is difficult to say for certain. In the exposition, the story opens with background information about Dee and Maggie's life, which is being told by Mama. Dee says that she refuses to go by the name given to her by white oppressors. In this regard, she can pass her skills to the next generation. Dee arrives accompanied by an Arab man. Simile has also been used in the story.