The reunion with her sisters was extremely touching, and Amy explained that she felt as if she had found what she had been searching for all along. It suggests to us that the tale is about relations and where we stand in our family. Amy Tan's A Pair of Tickets Summary of Presentation: Summary of Short Story: Symbol: Climax of the Story: Themes: Conflict and Resolution: Connection to another Work: When Jing-Mei June-May , the main character, learns that her late mother has twin daughters living in China she soon has to make the decision on how to tell them that her mother is deceased. Through chance, a friend of Jing-mei's mother, still in China, spied the twins while shopping. First it can produce four types of time.
Upon hearing her mother's story Jing-Mei Woo is able to understand a great deal more about her mother and their relationship, as well as her own past. Have you ever sat and thought about the contributing elements that make you the person you are? In the western culture, blood, which is usually connected with red, symbolizes a sacrifice, death and also a bloodline. For the rest of her life, Suyuan secretly searches for her daughters from overseas, asking old friends in China to look anywhere for young twin girls. Another way Jing-Mei sees her father in a new light also occurs during the train ride. She met Canning Woo in the hospital. Each ticket should be valued on it's own merit. Blood also signifies your identity.
Finally Jing-Mei understands what her mother meant when she said someday her youngest daughter would know what it meant to be Chinese. He then asks the viewers to look in his hands, and he turns a pair of ticket to diamonds and says anything is possible when your man smells like old spice and. Although both of the authors write about the differences between genuine heritage and false ideas of heritage, Alice Walker conveys the differences characters by mainly describing what the three main characters do, say and think, while Amy Tan handles this material by mostly portraying what Jing Mei sees, hears and thinks. Jing-mei is searching for her Chinese identity; and several events throughout the story mirror her own process of accepting the Chinese identity that has always been in her. She was already Chinese, and it could not be helped. Common flaws include; rips, creases, stains, and fading.
And although we don't speak, I know we all see it. The train pulls into the station, and the visitors are met by Canning's great-aunt. She knew that by naming her daughter after their street, she was taking the first step in making her wholly American, and thus alienating her daughter from herself. The mother was already deceased, so with encouragement from her aunts, Jing-mei made the journey to China with her father to meet her long lost family. Only her skin and her hair are Chinese. Rose Hsu Half and Half, Without Wood A.
In the story, May June, does not understand her Chinese blood identity at the beginning. If she had only showed interest in her mother long ago she would have been happier for much longer. The sisters are hoping to reunite with their mother but unfortunately Jing-mei's mother had died briefly before. They had watched quietly for the picture to develop just as Jing-mei's father and Aiyi had. The Chinese hotel that she stays at is also a comforting surprise because it unities both American and Chinese cultures. Moreover customers used to buy their tickets directly from the. Tone: The author wrote this book using Ying-mei as the narrator.
She is the protagonist in the story, and the antagonist is her internal conflict regarding her dead mother, and her regret for how she treated her mother. She is sick with dysentery, and muttering like a madwoman. June started to take in how American culture had shaped her way of thinking and that she was wrong in believing her family would be more different from her. Through her own name, Jing-Mei also shares a special connection to the twins as 'Jing' means 'excellent' or 'pure essence', and 'Mei' means 'little sister. Later, she sees no trace of her mother — yet the women still look familiar. Jing-mei is afraid of her heritage. Both the events and themes developed throughout The Joy Luck Club culminate in a 'A Pair of Tickets' as Jing-Mei comes to understand her mother's past and Chinese heritage.
Yet, she realizes that she has never known precisely what it means to be Chinese. The old lady and her family come to meet them at the station and give them a rousing welcome. Her father's stories about her mother's past and the names of the women in her family allow her to connect deeply with them and the places she's visiting. Amy Tan is an author who uses the element of character development to bring out the theme of self-awareness and identity in this story, mainly focusing on the main character having the dual identity of being Chinese American. Now they have a new home, which is.
At some point, an American missionary found her unmoving on the ground but did not find her babies. Although Suyuan is not reunited with her lost daughters before her death, she passes on the desire to meet them to Jing-Mei. Jandale however, had almost waited her entire life to connect with her heritage and her family. Jing-Mei is the narrator, and in memory of her dead mother, she and her father, Canning Woo, travel to China, where he an … d his wife were born. In the story, the character Jing Mei is conflicted over the loss of her mother and the feeling that they never fully connected with each other.
Realizing that her name meant the best essence, she feels she may not have met up to her mother's expectations. Words: 23717 — Pages: 95. To scratch-off being completely separate from generations, the idea of discrimination divides the more youthful eras from those of the more seasoned eras. Did she wish I were they? She also realizes that Suyuan is a strong bond that holds her and her two sisters together. She has officially embraced her Chinese-self and her Chinese family. Dee had a certain look of concentration on her face as she watched the last dingy gray board of the house fall in toward the red-hot brick chimney.
Jing-mei's father asked Auntie Lindo to write back to the girls and tell them that their mother was dead. Since China is run by communist. It is at this point that the story's central theme is first unearthed. At the hotel, everyone shares their memories, filled with joy and sorrow. She realizes her Chinese identity has always been here, and that is in her family and in her blood. Her daughter becomes very Americanized and gains respect. She was willing to visit China and meet with her two half-sisters only in.